Open today 11–18

Edgar Velbri, design 1932, constructed. MEA 14.1.46

Johannes Orro’s dwelling at Raudtee Street in Tallinn

Bustling Nõmme had already grown from a holiday village to a reasonably-sized town (possessing town privileges from 1926–1940, after which it became a district of Tallinn) when café-owner Major Johannes Orro presented the design for his new building to the town government in 1932. True to the era of thriving small businesses, the ground floor of the residential building in the Kivimäe neighbourhood housed a bakery – an unquestionably successful venture, given its close proximity to the railway station. The design was drafted by young architect and Tallinn Technical University student Edgar Velbri, who was fascinated by old-fashioned architecture; probably a result of his summer internships at the Estonian National Museum, during which he surveyed Estonian farm structures. The hipped roofs, romantic shutters, and vertical siding characteristic of Estonian agricultural architecture later carried over into the architect’s personal style. Complementing such features with his talent for creating functional floorplan solutions, Velbri gained great public favour and demand, and his cosy structures gained their own nickname: “Velbri houses”. This single-page ink drawing on tracing paper is a typical 1930s residential design project, which was submitted for official approval along with an explanatory letter. Text: Sandra Mälk

August Volberg, Edgar Velbri, 1935. EAM 31.1.66

Competition entry for the tuberculosis sanatorium in Taevaskoda

Sanatoriums were part of a healthy lifestyle that was promoted in the 1930s. Untouched natural environments started to be taken under protection as well as Taevaskoda in Põlva County in 1935. The architecture competition for skeletal TB sanatorium, held soon after, aimed to find a building fitting the environment to serve as a health institution. The first prize was given to a pair of renowned architects. Prominent shadows and a strong ink line in the drawing indicate that they were influenced by modern industry and technology. The building was designed for 90 patients and also housed the open-air school for children with pulmonary disease. The drawing was donated to the museum as a part of the archive of August Volberg by Heili Volberg in 2001. Text: Sandra Mälk