Tag Archives: architect: Ain Padrik

Vanalinnastuudio theatre building in Tallinn

Vilen Künnapu, Ain Padrik, 1987. EAM 41.1.16

Comedy theatre Vanalinnastuudio, which started out in Tallinn Teachers’ House, became so popular under the leadership of the legendary theatre director Eino Baskin that in the mid-1980s there was an idea of building the theatre its own house in the Old Town. The beginning of Viru Street had a plot that had long been vacant (currently the De la Gardie shopping centre, 1999) and it was considered as one possible location for the building. The theatre house was designed as a black box theatre with seats for 200 people and an attic storey for lowering decorations to the stage below. The postmodernist building was never constructed under the new political regime. The display board together with the section and view was given to the museum in 2005 by architectural historian Liivi Künnapu. In addition to that, last year the architecture office Künnapu&Padrik donated their drawings and digital archive to the museum. The lot, consisting almost 200 projects, is in the final process of adding to the musems collection. Text: Sandra Mälk


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House for a Romantic – House for a Physicist

Ain Padrik, 1983, 1984. MEA 55.1.3 ja 55.1.4

At the end of the 1970s and the beginning of the 1980s, architecture and especially residential building was starting to look at historical examples, and a relationship with the client or with the location of the building was deemed to be important. Designing a house provided a chance to experiment with the limits of freedom of expression and set an intriguing assignment to interpret the client through architecture. The romantic’s house followed the example of the Arts and Crafts movement in 19th-century England. This movement cherished handicraft and often employed motifs from medieval architecture: romantic towers and complex roof landscapes. The physicist’s house with its more clearly defined volumes proceeds from the wishes of the client. The physicist did not ask for large windows, preferring a lot of wall space and dimly lit interior. A thorough working project was also finished in addition to this sensitive perspective view. Construction received a building permit, but the physicist’s house was never completed.Ain Padrik donated the drawings to the museum in 2016. Text: Sandra Mälk


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